Aspendos

Aspendos was the scene of a huge bloody battle between the Persians and the Greeks in 469 BC, and then ruled by the Spartans 120 years later. The city became part of the Seleucid kingdom after the death of Alexander the Great, and then became part of the Roman province of Asia in 133 BC.

The famous theatre was built in the 2nd century AD, using a Roman design, and Aspendos is still intact. Ataturk was responsible for much of the restoration, who declared that it should be used as a theatre rather than simply a museum after his visit.

In addition to the theatre, there is an acropolis on a hilltop, of which the nymphaeum and basilica are still fairly intact.

Aspendos was an ancient city in Pamphylia, Asia Minor, located about 25 miles (40 km) east of the modern city of Antalya, Turkey. It was situated on the Eurymedon River (now the Kopru River) about 10 miles (16 km) inland from the Mediterranean Sea. The Greek spelling of the name is Aspendos. According to tradition, the city was founded around 1000 B.C. by Greeks who may have come from Argos. The wide range of its coinage throughout the ancient world indicates that, in the 5th century B.C., Aspendus had become the most important city in Pamphylia. At that time the Eurymedon River was navigable as far as Aspendus, and the city derived great wealth from a trade in salt, oil, and wool.

In 333 B.C. Aspendos paid Alexander the Great a levy to avoid being garrisoned, but it ignored its agreements with him and later was occupied. In 190 B.C. the city surrendered to the Romans, who later pillaged it of its artistic treasures. Toward the end of the Roman period the city began to decline that continued throughout Byzantine times.

Aspendos is known for having the best-preserved theater of antiquity. With diameter of 96 meters (315 ft), the theater provided seating for 7,000.

The theater, which was built in 155, was periodically repaired by the Seljuks who used it as a caravanserai. Aspendos was built by the Ancient Greek architect Zenon, in Marcus Aurelius’ time.

In order to keep with Hellenistic traditions, a small part of the theater was built so that it leaned against the hill where the Citadel (Acropolis) stood, while the remainder was built on vaulted arches. The high stage served to seemingly isolate the audience from the rest of the world. The scaenae frons or backdrop, has remained intact. The 8.1 meter (27 ft) sloping reflective wooden ceiling over the stage has been lost over time. Post holes for 58 masts are found in the upper level of the theater. These masts supported a valerium or awning that could be pulled over the audience to provide shade.

Still used today for concerts, festivals and grease wrestling events, the theater’s galleries, stage decorations and acoustics all testify to the architect’s success.

Nearby stand the remains of a basilica, agora, nymphaeum and 15 kilometers (9.3 mi) of Roman aqueduct.

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